ECOSYSTEMS II: CRITICAL REVIEW OF PRACTICE @formatfestival

My photographic practice evolved under the influence of critical theories of ecological economics, emphasized by thinkers as Hermann Daly, who was one of the first to offer an integrated economy-environment model (Daly, 1968) and wrote extensively on the subject of the differences of sustainability from pure economic growth and the dangers that the latter brings…

ECOSYSTEMS I: CRITICAL REVIEW OF PRACTICE

  Nature is an invaluable gift that we are so bad at protecting and restoring. The authors of the ‘Limits to Growth’ report in 1972 (Meadows et al, 1972) have warned us that not dealing with just three important elements: namely availability of resources, pollution and population growth will lead us to a severe crisis….

Constructed Photography @MuseumModernArt

The idea of a constructed photograph is not something that I explored so far because I have been largely focusing on landscape and natural elements.  However, I have practiced the transformed and transposed photography and infrared photography. Thus the photograph presented here depicts the iconic landscape of Colombian highlands with the strong diagonals of the…

Andre Derain @CentrePompidou

The grand exhibition of Andre Derain at Centre Pompidou in Paris is a landmark show the scale of which has not been seen since the 1994-1995 exhibition at the Musee d’Art Moderne de la Ville de Paris. Derain had a profound influence on me as a painter and is a constant source of inspiration for…

The East and West of Fauvism

Two great masters of the twentieth century: Henri Matisse and Martiros Sarian, are probably the most outstanding colourists I know. They do not just use, apply or combine colour, they breath it and live it. The effect of such a passion – exquisite joy of the viewer and pleasure of the senses. The two painters led very different…